Thanks, H!
As for Annette Himstedt, I think she will be back. Or, at least I hope she will with a new business model that will see fewer dolls plagued with repair issues. I think she had to close down because of the economy but moreso because she couldn't trust her employees to create a quality product after the green-dot scandal. And those repairs would have cost her a lot of money. So, I do feel bad for many employees are losing their jobs, but I think in some ways they did it to themselves. Unfortunately, good employees will be lost as well and it's unfortunate that the "rotton apples" ruined it for everyone.
But at the end of the day "artist dolls" that are modelled after children are a dying brand. Without younger collectors like you, H, there really is a limited market for the dolls that tend to be much larger than BJDs which are easier to carry around, etc. The European aesthetic is also more common with Himstedts whereas many younger collectors are fascinated with Asia. Personally, I love both, but I do feel that artist dolls on the whole will become a much smaller market over time especially with the current economy the way it is. Without younger collectors to sustain it there really isn't a market for it. And, in my experience, quite a few older collectors aren't particularly welcoming of newer collectors of younger ages who think differently. I recall many times on Himstedt Heaven for being blasted for my opinions because they were "different" and I wasn't the only one. I noticed a few younger collectors disappear. How many younger collectors were scared away? I think in some ways the older collectors also contributed to a shrinking market for selfishly believing that only their views and their money mattered. In addition, a lot of collectors relied on "new dolls" to keep the hobby alive. In other words, buying dolls was more important than actually enjoying them which was a shame. In order to buy the la-*test*-('") and grea-*test*-('") they sold off their dolls for peanuts and this affected how people perceived the "value" of Himstedts. Then, people became scared of buying them because they lost so much value in a matter of months. I think this "break" will help define those who truly love the dolls and those who truly just love having the newest and la-*test*-('") pretty thing in their home. So, I don't think it was only the economy and only repair issues, but there were other factors that influenced declining sales.
It is the end of an era, but the writing was on the wall many years ago, I think, especially when porcelain production was shut down. I am sad, but I believe this isn't the last we have seen of Annette Himstedt. I hope whatever she comes up next proves to be even better for everyone.